For at least half the running time of “Soldier’s Girl,” director Frank Pierson and screenwriter Ron Nyswaner’s account of the killing at a Kentucky military base in 1999 of a G.I. emotionally involved with a transgendered nightclub performer is as pedestrian as telemovies come. But pic recovers in later reels, boosted by superior performances and a powerful final act. Sketching the relationship with persuasive integrity, the drama quietly builds a sense of indignation over policy regarding gays in the military and the inadequacy of mental health screening for soldiers trained to feed their aggression. Exposure at gay festivals seems certain in addition to a strong reception on cable.
Pierson and Nyswaner (“Philadelphia”) devote an inordinate amount of time to by-the-numbers scenes of grueling military training and to less-than-sensational drag numbers before focusing more intimately on the central relationship.
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